The title of the work refers to Roald Dahl’s adaptation of the rhyme “Mary, Mary, Quite Contrary*”, in which a short conversation about a garden and its flourishing takes place. The infinity installation transfers the nature of a garden as fragmentary drawing into the urban space: wild, raw, reduced, irregular and at the same time delicately grows one line next to the other.
* Roald Dahl: Rhyme Stew, Jonathan Cape, London 1989.
Acrylic glass, mirror glass, aluminum, LED light, control unit
Time-based installation, permanent
Digital drawings on acrylic glass, 4128 X 2456 X 150 CM; 3988 x 2450 X 150 CM